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dc.contributor.advisorMariniello, Silvestra
dc.contributor.authorCamargo Junqueira, Gustavo
dc.date.accessioned2021-01-21T19:28:40Z
dc.date.availableNO_RESTRICTIONfr
dc.date.available2021-01-21T19:28:40Z
dc.date.issued2020-12-16
dc.date.submitted2020-05
dc.identifier.urihttp://hdl.handle.net/1866/24293
dc.subjectPhotographiefr
dc.subjectCinémafr
dc.subjectEssaifr
dc.subjectPassagefr
dc.subjectMouvementfr
dc.subjectFixitéfr
dc.subjectDocumentairefr
dc.subjectPhotographyfr
dc.subjectCinemafr
dc.subjectEssaifr
dc.subjectStillfr
dc.subjectDocumentaryfr
dc.subjectExplorationfr
dc.subjectArtfr
dc.subject.otherCommunications and the Arts - Cinema / Communications et les arts - Cinéma (UMI : 0900)fr
dc.titleLa photographie dans le cinéma d’essai et mon film Ouroborosfr
dc.typeThèse ou mémoire / Thesis or Dissertation
etd.degree.disciplineÉtudes cinématographiquesfr
etd.degree.grantorUniversité de Montréalfr
etd.degree.levelMaîtrise / Master'sfr
etd.degree.nameM.A.fr
dcterms.abstractUn essai sur le rapport entre l'image fixe, soit la photographie et les images en mouvement dans la création du cinéma d'essai. Une recherche sur certains photographes-cinéastes avec une perspective historique sur les mouvements de la photographie documentaire parallèle a l’avènement du cinéma d'essai, ainsi qu'une auto-analyse de mon propre film "Ouroboros".fr
dcterms.abstractAn essay on the relationship between the still image, that is, photography and moving images in the creation of the essay cinema. A research on some photographers-filmmakers with a historical perspective on the movements of documentary photography parallel to the advent of the essay cinema, as well as an analysis of my own film "Ouroboros".fr
dcterms.descriptionMémoire en recherche-création.fr
dcterms.languagefrafr


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