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Recently Added
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The “felt need of reason” in Kant’s Was heisst : sich im Denken orientieren?
(2009-05-21)In his text “Was heisst: sich im Denken orientieren?” Kant takes the risk of stressing the role of feeling in rational faith. There is a risk involved here because feeling is at the very center of the thesis he opposes: Jacobi’s conception of faith ... -
Le "besoin de la raison" dans les lettres sur la philosophie kantienne (1786-1787)
(Springer, 2010)When Kant in the fall of 1786 intervened in the Pantheism Controversy with his text “What does it Mean to Orient Oneself in Thinking?,” Reinhold had already published his two first Letters on the Kantian Philosophy. It goes without saying that in his ... -
Qu’est-ce qu’une “analogie” de l’expérience?
(Bellarmin, 2000)In this paper I propose a new interpretation of the word “analogy” used by Kant to designate the principles of relation. After a brief presentation of three Kant-scholars (Guyer, Kemp Smith and Walsh) who remain doubtful about Kant’s intention with the ... -
Fichte, Schleiermacher Y W. Von Humboldt, sobre la creación de la universidad de Berlín
(Universidad del Valle. Departamento de Filosofia, 2005)On the eve of the foundation of the University of Berlin, Wilhelm von Humboldt was in charge of choosing between the various proposals submitted for the organization of the future institution. Since he had to choose for instance between the Fichte’s ... -
Digital cinema or what happens to the dispositif?
(Amsterdam University Press, 2016)The digital cinema package : Created in 2005 by the Digital Cinema Initiatives—a group of Hollywood majors that formed a joint venture in 2002,—the Digital Cinema Package (DCP) is a wrapper containing images, sound, subtitles, and metadata. Six ... -
The illusion of movement, the illusion of color : the Kinemacolor projector, archaeology and epistemology
(Amsterdam University Press, 2016)The Kinemacolor projector : Produced between 1910 and 1914 by Natural Color Kinematograph Co., Kinemacolor projectors used panchromatized black-and-white 35mm film. The Kinemacolor projector in the Will Day collection at the Cinémathèque Française is ... -
The social imaginary of telephony : fictional dispositives in Albert Robida’s Le vingtième siècle and the archeology of "Talking Cinema"
(Amsterdam University Press, 2015) -
Between knowing and believing : the cinematic dispositive after cinema
(Amsterdam University Press, 2014) -
On some limitations of the definition of the dispositive "cinema"
(Amsterdam University Press, 2015) -
Forms of machines, forms of movement
(Amsterdam University Press, 2015)
