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dc.contributor.advisorHeaton, Lorna
dc.contributor.authorCasanova, Hugo L.
dc.date.accessioned2012-01-31T20:49:54Z
dc.date.availableNO_RESTRICTIONen
dc.date.available2012-01-31T20:49:54Z
dc.date.issued2012-01-05
dc.date.submitted2011-11
dc.identifier.urihttp://hdl.handle.net/1866/6133
dc.subjectCharles S. Peirceen
dc.subjectMichel Foucaulten
dc.subjectvulgarisationen
dc.subjectfigureen
dc.subjectatomeen
dc.subjectcommunication visuelleen
dc.subjectreprésentationen
dc.subjectparadigmeen
dc.subjectsémiotiqueen
dc.subjectpopularizationen
dc.subjectvisual communicationsen
dc.subjectsemioticen
dc.subjectparadigmen
dc.subjectatomen
dc.subject.otherCommunications and the Arts - Mass Communications / Communications et les arts - Communications (UMI : 0708)en
dc.titleLa figure de l’atome, paradigme de la vulgarisation scientifiqueen
dc.typeThèse ou mémoire / Thesis or Dissertation
etd.degree.disciplineCommunicationen
etd.degree.grantorUniversité de Montréalfr
etd.degree.levelMaîtrise / Master'sen
etd.degree.nameM. Sc.en
dcterms.abstractUn cadre d’analyse des figures utilisées dans la vulgarisation de la connaissance scientifique est développé suivant la sémiotique de Charles S. Peirce et la méthode archéologique de Michel Foucault. Ce cadre est appliqué spécifiquement à l’analyse de figures de l’atome recensées systématiquement dans deux revues de science populaires. Des recommandations découlant de notre analyse sont faites.en
dcterms.abstractAn analytical framework for the study of images used in the popularization of scientific knowledge is developped from the semiotics of Charles S. Peirce and the archeological method of Michel Foucault. This framework is applied specifically to figures of the atom found in a systematic study of two popular science magazines. Recommendations emerging from our analysis are offered.en
dcterms.languagefraen


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