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Documenting acousmatic music interpretation : profiles of discourse across multiple dimensions
(Emerald, 2018)
Purpose : Extending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with ...
Alter-value in data reuse : non-designated communities and creative processes
(Ubiquity Press, 2020)
This paper builds on the investigation of data reuse in creative processes to discuss ‘epistemic
pluralism’ and data ‘alter-value’ in research data management. Focussing on a specific non-designated community, we conducted ...
Preservation strategies for mixed music : the long tail and the short tail
(International Computer Music Association, 2020-10-20)
I have recently argued (Boutard 201 9)that preservation of digital technologyin mixed music should build upon thework done for the past ten years indigital preservation in relation tocultural heritage institutions, ...
Is there a digital archivist in the room? : the preservation of musique mixte
(2018)
Over the past decade, the field of musique mixte/mixed music preservation grew separate from the digital preservation research (and practice) community. This paper presents
potential preservation directions for this ...
Documenting acousmatic music interpretation : a developmental framework based on cross self-confrontations
(Taylor and Francis Group, 2020-12-23)
The investigation of acousmatic music interpretation as a distinct activity from
composition calls for the investigation of appropriate documentation frameworks. This
paper investigates the relevance ...
Review of contemporary sound installation practices in Québec
(University of California Press, 2022-06-01)
Continuing a trend of publications investigating sound art within a specific geographical
context, this paper proposes an original view of the sound installation practice in Que´bec. This study is
part of a research ...
Multiple perspectives on sound art documentation : an empirical study
(2024-04-23)
During the project sound art documentation (sad-sask) we conducted a pilot study on the use of spatial audio recordings to question documentation practice from multiple expert perspectives.