Documenting acousmatic music interpretation : profiles of discourse across multiple dimensions
dc.contributor.author | Boutard, Guillaume | |
dc.contributor.author | Féron, François-Xavier | |
dc.date.accessioned | 2023-01-26T19:23:17Z | |
dc.date.available | NO_RESTRICTION | fr |
dc.date.available | 2023-01-26T19:23:17Z | |
dc.date.issued | 2018 | |
dc.identifier.uri | http://hdl.handle.net/1866/27365 | |
dc.publisher | Emerald | fr |
dc.title | Documenting acousmatic music interpretation : profiles of discourse across multiple dimensions | fr |
dc.type | Article | fr |
dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. École de bibliothéconomie et des sciences de l'information | fr |
dc.identifier.doi | 10.1108/JD-03-2018-0037 | |
dcterms.abstract | Purpose : Extending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with an idiosyncratic relation to performance and technology. This paper presents the outcome of a qualitative research aiming at providing a conceptual model theorizing the intricate relationships between the multiple dimensions of acousmatic music interpretation. • Design/methodology/approach : The methodology relies on grounded theory. 12 Interviews were conducted over a period of 3 years in France, Québec and Belgium, grounded in theoretical sampling. • Findings : The analysis outcome describes eight dimensions in acousmatic performance, namely: musical; technical; anthropological; psychological; social; cultural; linguistic; and ontological. Discourse profiles are provided in relation to each participant. Theory development led to the distinction between documentation of interpretation as an expertise and as a profession. • Research limitations/implications : Data collection is limited to French-speaking experts, for historical and methodological reasons. • Practical implications : The model stemming from the analysis provides a framework for documentation which will benefit practitioners and organizations dedicated to the dissemination of acousmatic music. The model also provides this community with a tool for characterizing expert discourses about acousmatic performance and identifying content areas to further investigate. From a research point of view, the theorization leads to the specification of new directions and the identification of relevant epistemological frameworks. • Originality/value : This research brings a new vision of acousmatic interpretation, extending the literature on this repertoire’s performance with a more holistic perspective. | fr |
dcterms.isPartOf | urn:ISSN:0022-0418 | fr |
dcterms.language | eng | fr |
UdeM.ReferenceFournieParDeposant | https://doi.org/10.1108/JD-03-2018-0037 | fr |
UdeM.VersionRioxx | Version acceptée / Accepted Manuscript | fr |
oaire.citationTitle | Journal of documentation | fr |
oaire.citationVolume | 75 | fr |
oaire.citationIssue | 1 | fr |
oaire.citationStartPage | 99 | fr |
oaire.citationEndPage | 119 | fr |
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