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dc.contributor.authorBernier, Nicolas
dc.contributor.authorBoutard, Guillaume
dc.contributor.authorTraube, Caroline
dc.contributor.authorSchorpp, Estelle
dc.contributor.authorBellemare, Laurent
dc.contributor.authorDrouin-Trempe, Victor
dc.date.accessioned2023-01-23T14:04:44Z
dc.date.availableNO_RESTRICTIONfr
dc.date.available2023-01-23T14:04:44Z
dc.date.issued2023-01-10
dc.identifier.urihttp://hdl.handle.net/1866/27335
dc.publisherCambridge University Pressfr
dc.titleSine wave in music and sound art : a typology of artistic approachesfr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. École de bibliothéconomie et des sciences de l'informationfr
dc.contributor.affiliationUniversité de Montréal. Faculté de musiquefr
dc.identifier.doi10.1017/S1355771822000590
dcterms.abstractDespite the sine wave’s close links to the birth of electronic music in the mid-twentieth century, it has been little studied aesthetically, and no systematic review of its artistic usages exists. This article presents a brief literature review, followed by the results of a survey on the principles guiding sine wave-based works. This allows to put forward a typological framework contributing to an understanding of the application of the sine wave in music.fr
dcterms.descriptionProject : Towards an Aesthetics of the Sine Wave Chercheur.e.s : Nicolas Bernier, Guillaume Boutard, Caroline Traubefr
dcterms.isPartOfurn:ISSN:1355-7718fr
dcterms.isPartOfurn:ISSN:1469-8153fr
dcterms.languageengfr
UdeM.ReferenceFournieParDeposantBernier, N., Boutard, G., Traube, C., Schorpp, E., Bellemare, L., & Drouin-trempe, V. (2023). Sine Wave in Music and Sound Art: A typology of artistic approaches. Organised Sound, 1–13. https://doi.org/10.1017/S1355771822000590fr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscriptfr
oaire.citationTitleOrganised soundfr


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