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dc.contributor.authorBoutard, Guillaume
dc.date.accessioned2019-06-25T12:36:11Z
dc.date.availableNO_RESTRICTIONfr
dc.date.available2019-06-25T12:36:11Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/1866/22180
dc.rightsCe document est mis à disposition selon les termes de la Licence Creative Commons Attribution 3.0 non transposé / This work is licensed under a Creative Commons Attribution 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by/3.0/
dc.titleIs there a digital archivist in the room? : the preservation of musique mixtefr
dc.typeContribution à un congrès / Conference objectfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. École de bibliothéconomie et des sciences de l'informationfr
dcterms.abstractOver the past decade, the field of musique mixte/mixed music preservation grew separate from the digital preservation research (and practice) community. This paper presents potential preservation directions for this repertoire, based on current preservation frameworks, in relation to collaboration at the bit-level, logical-level, and conceptual-level of preservation. It emphasizes the link to practice in a postdigital (i.e. after the ‘digital revolution’) preservation and curation perspective, institutional policies, the implication and redefinition of all stakeholders, and the use of documentation as mediation.fr
dcterms.languageengfr
oaire.citationTitleInternational Computer Music Conference (ICMC 2019)
oaire.citationConferencePlaceNew York (N.Y.)
oaire.citationConferenceDate2019-06-16 - 2019-06-23


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Ce document est mis à disposition selon les termes de la Licence Creative Commons Attribution 3.0 non transposé / This work is licensed under a Creative Commons Attribution 3.0 Unported
Usage rights : Ce document est mis à disposition selon les termes de la Licence Creative Commons Attribution 3.0 non transposé / This work is licensed under a Creative Commons Attribution 3.0 Unported