Parcourir Faculté des arts et des sciences – Département d'histoire de l'art et d'études cinématographiques par auteur·e "Tortajada, Maria"
Voici les éléments 1-12 de 12
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The 1900 episteme
Albera, François; Tortajada, Maria (Amsterdam University Press, 2010) -
Between knowing and believing : the cinematic dispositive after cinema
Elsaesser, Thomas (Amsterdam University Press, 2014) -
The case for an epistemography of montage : the Marey moment
Albera, François (Amsterdam University Press, 2010) -
L'<<Épistémè>> "1900"
Albera, François; Tortajada, Maria (Payot, 2004) -
Forms of machines, forms of movement
Turquety, Benoît (Amsterdam University Press, 2015) -
Forward
Albera, François; Tortajada, Maria (Amsterdam University Press, 2015) -
Introduction to an epistemology of viewing and listening dispositives
François, Albera; Tortajada, Maria (Amsterdam University Press, 2010) -
The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audio-visual dispositives
Boillat, Alain (Amsterdam University Press, 2010) -
On some limitations of the definition of the dispositive "cinema"
Gaudreault, André (Amsterdam University Press, 2015) -
On the singular status of the human voice : tomorrow’s eve and the cultural series of talking machines
Boillat, Alain (Amsterdam University Press, 2010) -
Projected cinema (a hypothesis on the cinema’s imagination)
Albera, François (Amsterdam University Press, 2010) -
The social imaginary of telephony : fictional dispositives in Albert Robida’s Le vingtième siècle and the archeology of "Talking Cinema"
Boillat, Alain (Amsterdam University Press, 2015)