Rereading the decline of the illustrated song : three crisis discourses in moving picture world, 1908
dc.contributor.author | Cauche, Robin | |
dc.date.accessioned | 2021-05-07T13:13:43Z | |
dc.date.available | MONTHS_WITHHELD:18 | fr |
dc.date.available | 2021-05-07T13:13:43Z | |
dc.date.issued | 2020 | |
dc.identifier.uri | http://hdl.handle.net/1866/24987 | |
dc.publisher | Indiana University Press | fr |
dc.subject | Illustrated song | fr |
dc.subject | Lantern slides | fr |
dc.subject | Lantern industry | fr |
dc.subject | Magic lantern | fr |
dc.subject | Moving Picture World | fr |
dc.subject | Music industry | fr |
dc.subject | Piracy | fr |
dc.title | Rereading the decline of the illustrated song : three crisis discourses in moving picture world, 1908 | fr |
dc.type | Article | fr |
dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiques | fr |
dc.identifier.doi | 10.2979/filmhistory.32.1.04 | |
dcterms.abstract | Historians have well documented the decline of illustrated songs in nickelodeons in the United States from 1909 to 1913. In this article, a close examination of the 1907 and 1908 issues of Moving Picture World shows that several crises occurred before 1909 that help us understand this decline. Here I examine three main crises: the structural crisis of free music, the economic and aesthetic crisis of piracy, and the legal dispute over exclusive illustration rights. | fr |
dcterms.description | Les recherches sur lesquelles se basent cet article, ainsi que sa traduction vers l'anglais, ont reçu le soutien financier du partenariat international de recherche sur les techniques et technologies du cinéma, TECHNÈS. La première version de cet article a vu le jour au sein du séminaire "Histoire du cinéma : problèmes et méthodes", enseigné par Louis Pelletier à l'automne 2017 au département d'histoire de l'art et d'études cinématographiques de l'Université de Montréal. Une version révisée de ce devoir initial a été récompensée du Prix de l'essai étudiant décerné en 2018 par Domitor, l'association internationale de recherche sur le cinéma des premiers temps. | fr |
dcterms.isPartOf | urn:ISSN:0892-2160 | fr |
dcterms.isPartOf | urn:ISSN:1553-3905 | fr |
dcterms.language | eng | fr |
UdeM.ReferenceFournieParDeposant | 10.2979/filmhistory.32.1.04 | fr |
UdeM.VersionRioxx | Version publiée / Version of Record | fr |
oaire.citationTitle | Film history | fr |
oaire.citationVolume | 32 | fr |
oaire.citationIssue | 1 (spring 2020) | fr |
oaire.citationStartPage | 106 | fr |
oaire.citationEndPage | 126 | fr |
Files in this item
This item appears in the following Collection(s)
This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.