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dc.contributorThorburn, David
dc.contributorJenkins, Henry
dc.contributor.authorGunning, Tom
dc.date.accessioned2019-10-31T17:41:18Z
dc.date.availableNO_RESTRICTIONfr
dc.date.available2019-10-31T17:41:18Z
dc.date.issued2003
dc.identifier.urihttp://hdl.handle.net/1866/22401
dc.publisherMIT Pressfr
dc.titleRe-newing old technologies : astonishment, second nature, and the uncanny in technology from the previous turn-of-the-centuryfr
dc.typeChapitre de livre / Book chapterfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiquesfr
dc.contributor.affiliationTechnès (International Research Partnership on Cinema Technology)
dc.contributor.affiliationTechnès (Partenariat international de recherche sur les techniques et technologies du cinéma)
dcterms.isPartOfurn:ISBN:9780262201469fr
dcterms.languageengfr
UdeM.ReferenceFournieParDeposantGunning, Tom. 2004. « Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century ». Dans David Thorburn et Henry Jenkins (dir.), Rethinking Media Change: The Aesthetics of Transition, p. 39‑59. Cambridge: MIT Press.fr
oaire.citationTitleRethinking media change : the aesthetics of transition
oaire.citationStartPage39
oaire.citationEndPage59


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