A slippery topic : colour as metaphor, intention or attraction?
| dc.contributor | Hertogs, Daan | |
| dc.contributor | Klerk, Nico de | |
| dc.contributor.author | Gunning, Tom | |
| dc.date.accessioned | 2018-11-14T17:34:31Z | |
| dc.date.available | NO_RESTRICTION | fr |
| dc.date.available | 2018-11-14T17:34:31Z | |
| dc.date.issued | 1996 | |
| dc.identifier.uri | http://hdl.handle.net/1866/21075 | |
| dc.publisher | Nederlands Filmmuseum | fr |
| dc.title | A slippery topic : colour as metaphor, intention or attraction? | fr |
| dc.type | Chapitre de livre / Book chapter | fr |
| dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiques | fr |
| dc.contributor.affiliation | TECHNÈS (International Research Partnership on Cinema Technology) | en |
| dc.contributor.affiliation | TECHNÈS (Partenariat international de recherche sur les techniques et technologies du cinéma) | fr |
| dcterms.description | Diffusé avec l'accord de EYE Filmmuseum, détenteur des droits d'auteur sur ce texte. | fr |
| dcterms.description | Texte issu du : Amsterdam Workshop (2e :1995 : Amsterdam, Pays-Bas) | |
| dcterms.isPartOf | urn:ISBN:9789071338090 | fr |
| dcterms.language | eng | fr |
| oaire.citationTitle | Disorderly order : colours in silent film | |
| oaire.citationStartPage | 37 | |
| oaire.citationEndPage | 49 |
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