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dc.contributor.authorEberle Sinatra, Michael
dc.date.accessioned2016-02-10T22:32:24Z
dc.date.available2016-02-10T22:32:24Z
dc.date.issued2001
dc.identifier.citationSinatra, Michael E., « From Dante to the Romantics : The Reception History of Leigh Hunt’s “The Story of Rimini” », The Charles Lamb Bulletin, no 116, 2001, p. 120‑143.fr
dc.identifier.urihttp://hdl.handle.net/1866/12999
dc.subjectRomanticismfr
dc.subjectPoetryfr
dc.subjectPoésiefr
dc.subjectRomantismefr
dc.subjectHunt, Leighfr
dc.subjectLittérature anglaisefr
dc.subjectXIXe sièclefr
dc.subjectEnglish literaturefr
dc.titleFrom Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini"fr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Chaire de recherche du Canada sur les écritures numériquesfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département des littératures de langue françaisefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dc.contributor.affiliationUniversité de Montréal. Canada Research Chair on Digital Textualitiesen
dcterms.abstract1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had praised so highly in the pages of The Examiner. [...]fr
dcterms.bibliographicCitationThe Charles Lamb Bulletin ; no 116
dcterms.languageengfr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript


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