From Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini"
dc.contributor.author | Eberle Sinatra, Michael | |
dc.date.accessioned | 2016-02-10T22:32:24Z | |
dc.date.available | 2016-02-10T22:32:24Z | |
dc.date.issued | 2001 | |
dc.identifier.uri | http://hdl.handle.net/1866/12999 | |
dc.subject | Romanticism | fr |
dc.subject | Poetry | fr |
dc.subject | Poésie | fr |
dc.subject | Romantisme | fr |
dc.subject | Hunt, Leigh | fr |
dc.subject | Littérature anglaise | fr |
dc.subject | XIXe siècle | fr |
dc.subject | English literature | fr |
dc.title | From Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini" | fr |
dc.type | Article | fr |
dc.contributor.affiliation | Université de Montréal. Chaire de recherche du Canada sur les écritures numériques | fr |
dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département des littératures de langue française | fr |
dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du monde | fr |
dc.contributor.affiliation | Université de Montréal. Canada Research Chair on Digital Textualities | en |
dcterms.abstract | 1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had praised so highly in the pages of The Examiner. [...] | fr |
dcterms.language | eng | fr |
UdeM.VersionRioxx | Version acceptée / Accepted Manuscript | |
oaire.citationTitle | The Charles Lamb bulletin | |
oaire.citationIssue | 116 | |
oaire.citationStartPage | 120 | |
oaire.citationEndPage | 143 |
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