Show item record

dc.contributor.authorEberle Sinatra, Michael
dc.date.accessioned2016-02-10T22:32:24Z
dc.date.available2016-02-10T22:32:24Z
dc.date.issued2001
dc.identifier.urihttp://hdl.handle.net/1866/12999
dc.subjectRomanticismfr
dc.subjectPoetryfr
dc.subjectPoésiefr
dc.subjectRomantismefr
dc.subjectHunt, Leighfr
dc.subjectLittérature anglaisefr
dc.subjectXIXe sièclefr
dc.subjectEnglish literaturefr
dc.titleFrom Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini"fr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Chaire de recherche du Canada sur les écritures numériquesfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département des littératures de langue françaisefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dc.contributor.affiliationUniversité de Montréal. Canada Research Chair on Digital Textualitiesen
dcterms.abstract1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had praised so highly in the pages of The Examiner. [...]fr
dcterms.languageengfr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript
oaire.citationTitleThe Charles Lamb bulletin
oaire.citationIssue116
oaire.citationStartPage120
oaire.citationEndPage143


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show item record

This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.