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Introduction
(Les Presses de l'Université de Montréal, 2014)
Ce que nous sommes, en tant qu’êtres humains et en tant que sociétés, est profondément façonné par les formes de production et de circulation du savoir : comprendre ces formes, être capable de les analyser et d’en repérer ...
Histoire des humanités numériques
(Les Presses de l’Université de Montréal, 2014)
Parallèlement à l’histoire du développement d’Internet et du web, une autre histoire est fondamentale pour comprendre les enjeux de l’édition numérique : celle des humanités numériques. Il y a encore quelques décennies, ...
We are the amp : a poetics of the human microphone
(Wilfrid Laurier University Press, 2015)
Performing Leigh Hunt’s 1840 Play "A Legend of Florence"
(Cambridge Scholars Publishing, 2009)
Leigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, intellectual, and political climate of Italy — reflects, as Michael Eberle-Sinatra demonstrates in the final essay of the ...
Representing Leigh Hunt’s Autobiography
(Palgrave Macmillan, 2016)
That study attempted to elaborate the problematic of [Leigh Hunt's] position within the London literary and political scene between the years 1805 and1828, the contributions he made to British literature and journalism, ...
Gender, Authorship and Male Domination : Mary Shelley’s Limited Freedom in "Frankenstein" and "The Last Man"
(Palgrave Macmillan, 2000)
Ever since Ellen Moer's "Literary Women" (1976), "Frankenstein" has been recognized as a novel in which issues about authorship are intimately bound up with those of gender. The work has frequently been related to the ...
Totally Clueless : Heckerling and Queer Sexuality in Austen’s « Emma »
(Cambria Press, 2011)
This chapter offers a new reading of the sexual politics that are at play in Jane Austen's 1816 "Emma" through the exploration of film director Amy Heckerling's retelling of Austen's original story. Heckerling's 1995 film, ...