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From Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini"
(2001)
1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had ...
Introduction : deviance and defiance
(2006)
The thirteenth annual meeting of the North American Society for the Study of Romanticism took place August 13–16, 2005 in Montreal, Canada, sponsored by Université de Montréal. The conference was held in conjunction with ...
Readings of homosexuality in Mary Shelley's "Frankenstein" and four film adaptations
(2005)
This essay proposes to read one more time the issue of homosexuality in Mary Shelley's first novel, "Frankenstein". In order to offer a new angle on the homosexual component of Victor Frankenstein's relationship with his ...
Putting plays (and more) in cyberspace : an overview of the British women playwrights around 1800 project
(2003)
The british women playwrights around 1800 Web project has had a split allegiance from its beginning. Its beginnings lay in our interest in sustaining over time a community that had begun exploring the histories and writing ...
Introducing "Critical Essays": Leigh Hunt and theatrical criticism in the early nineteenth century
(2001)
The years 1801 to 1808 saw the emergence of Leigh Hunt as a public figure on the London literary scene, first with the publication of his collection of poetry, "Juvenilia", and then with his work as theater critic for "The ...
Exploring gothic sexuality
(2001)
In his well-known analysis of the evolution of sexuality in society in "Making sexual history", Jeffrey Weeks comments that, following a series of major challenges throughout the twentieth century (ranging from Freud's ...
On watching rather than reading Count Basil
(European Romantic Review, 2004)
The performance of « Count Basil » at this year's NASSR conference was a unique opportunity for those in attendance to share a theatrical experience with the actors in ways that are usually not available to readers and ...