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Now showing items 31-37 of 37
The illusion of movement, the illusion of color : the Kinemacolor projector, archaeology and epistemology
(Amsterdam University Press, 2016)
The Kinemacolor projector : Produced between 1910 and 1914 by Natural Color Kinematograph Co., Kinemacolor
projectors used panchromatized black-and-white 35mm film. The Kinemacolor projector in the Will Day collection at ...
"Bolex Artists" : Bolex cameras, Amateurism, and New York avant-garde film
(Amsterdam University Press, 2016)
Designed by Jacques Bogopolsky in 1928, the Bolex camera was first commercialized
by the Swiss firm Paillard-Bolex in 1935. The model shown here is an H16, the firm’s
emblematic 16mm model, from 1952. The camera measures ...
Digital cinema or what happens to the dispositif?
(Amsterdam University Press, 2016)
The digital cinema package :
Created in 2005 by the Digital Cinema Initiatives—a group of Hollywood majors
that formed a joint venture in 2002,—the Digital Cinema Package (DCP) is a wrapper
containing images, sound, ...
General introduction media archaeology : Foucault’s legacy
(Amsterdam University Press, 2016)
Shooting into outer space : reframing modern vision
(State University of New York Press, 2011)
A rebirth and a funeral: the Cinémathèque Québécoise restores a long-lost actuality by Canadian film pioneer Léo-Ernest Ouimet
(International Federation of Film Archives (FIAF), 2017-10)
The Davide Turconi Collection of Nitrate Film Frames, 1897-1944
(Fédération internationale des archives du film, 2011)