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Now showing items 41-50 of 54
Forms of machines, forms of movement
(Amsterdam University Press, 2015)
The 1900 episteme
(Amsterdam University Press, 2010)
On some limitations of the definition of the dispositive "cinema"
(Amsterdam University Press, 2015)
The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audio-visual dispositives
(Amsterdam University Press, 2010)
Forward
(Amsterdam University Press, 2015)
The case for an epistemography of montage : the Marey moment
(Amsterdam University Press, 2010)
Projected cinema (a hypothesis on the cinema’s imagination)
(Amsterdam University Press, 2010)
Introduction to an epistemology of viewing and listening dispositives
(Amsterdam University Press, 2010)
Contextualizing the apparatus : film in the turn-of-the-century Sears, Roebuck & Co.’s Consumers guide
(Amsterdam University Press, 2016)
The Sears, Roebuck & CO. 1898 Consumers Guide
Published by America and Canada’s largest mail order company, the 10.8 x 8.5 inches
(27.4 x 21.6 cm), 1120-page catalog was filled with illustrations, descriptions, ...
The illusion of movement, the illusion of color : the Kinemacolor projector, archaeology and epistemology
(Amsterdam University Press, 2016)
The Kinemacolor projector : Produced between 1910 and 1914 by Natural Color Kinematograph Co., Kinemacolor
projectors used panchromatized black-and-white 35mm film. The Kinemacolor projector in the Will Day collection at ...