Phenomenology and film creation of white transcendentals
| dc.contributor.author | Bergo, Bettina | |
| dc.date.accessioned | 2021-05-03T13:18:22Z | |
| dc.date.available | NO_RESTRICTION | fr |
| dc.date.available | 2021-05-03T13:18:22Z | |
| dc.date.issued | 2015 | |
| dc.identifier.uri | http://hdl.handle.net/1866/24976 | |
| dc.title | Phenomenology and film creation of white transcendentals | fr |
| dc.type | Chapitre de livre / Book chapter | fr |
| dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département de philosophie | fr |
| dcterms.description | Ce texte est une version de travail qui peut différer de la version finale et ne doit donc pas servir aux fins de citation. | fr |
| dcterms.description | La version finale de ce texte est parue sous le titre « The very image of privilege : film creation of white transcendentals in Vienna and Hollywood », dans Bettina Bergo et Tracey Nicholls (édit.), I don't see color : personal and critical perspectives on white privilege, Penn State University Press, 2015. | fr |
| dcterms.language | eng | fr |
| UdeM.ReferenceFournieParDeposant | Phenomenology and Film Creation of White Transcendentals | fr |
Files in this item
This item appears in the following Collection(s)
This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.