La cornemuse bulgare ou comment inventer une tradition musicale
dc.contributor.advisor | Fernando, Nathalie | |
dc.contributor.author | Denova, Svetlina | |
dc.date.accessioned | 2019-04-18T18:53:57Z | |
dc.date.available | NO_RESTRICTION | fr |
dc.date.available | 2019-04-18T18:53:57Z | |
dc.date.issued | 2019-03-13 | |
dc.date.submitted | 2018-04 | |
dc.identifier.uri | http://hdl.handle.net/1866/21575 | |
dc.subject | Bulgarie | fr |
dc.subject | Bulgaria | fr |
dc.subject | tradition musicale | fr |
dc.subject | music tradition | fr |
dc.subject | imaginaire national | fr |
dc.subject | imagined community | fr |
dc.subject | cornemuse | fr |
dc.subject | bagpipe | fr |
dc.subject | patrimonialisation | fr |
dc.subject.other | Anthropology - Cultural / Anthropologie - Culturelle (UMI : 0326) | fr |
dc.title | La cornemuse bulgare ou comment inventer une tradition musicale | fr |
dc.type | Thèse ou mémoire / Thesis or Dissertation | |
etd.degree.discipline | Anthropologie | fr |
etd.degree.grantor | Université de Montréal | fr |
etd.degree.level | Maîtrise / Master's | fr |
etd.degree.name | M. Sc. | fr |
dcterms.abstract | La tradition musicale de la cornemuse gaida s'est constituée à l'éveil du nationalisme bulgare dans les années 60 du XIX siècle comme tradition bulgare et elle a continué à se développer comme telle après la Libération du pays de la dominance ottomane (1878), au cours du XX siècle et mème aujourd'hui, au début du XXI siècle. Nous nous intéressons ici à la façon dont cette tradition musicale entre dans l'imaginaire national bulgare à travers la presse satirique, les expositions internatinales, les beaux-arts, la littérature, le cinéma et les festivals du folklore et comment elle devient grâce à cela un fort symbole identitaire pour la nation. | fr |
dcterms.abstract | The music tradition of the Bulgarian bagpipe gaida established itself as a Bulgarian tradition in the dawn of Bulgarian nationalism in the 1860s, continued its development as such after the Liberation from Ottoman domination (1878), during the XX century, and even now at the beginning of XX century. We interested here how this music tradition had entered the Bulgarian national imaginaire by the means of the satirical press, the international fairs, the fine arts, the literature, the cinema, and the folklore festivals in order to become such a powerful sumbol of the nation. | fr |
dcterms.language | fra | fr |
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