Show item record

dc.contributorAlbera, François
dc.contributorBraun, Marta
dc.contributorGaudreault, André
dc.contributor.authorAlbera, François
dc.date.accessioned2017-11-17T21:19:26Z
dc.date.available2017-11-17T21:19:26Z
dc.date.issued2002
dc.identifier.urihttp://hdl.handle.net/1866/19623
dc.publisherPayotfr
dc.titlePour une épistémographie du montage : le moment-Mareyfr
dc.typeChapitre de livre / Book chapterfr
dc.contributor.affiliationTechnès (International Research Partnership on Cinema Technology)en
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiquesfr
dc.contributor.affiliationTechnès (Partenariat international de recherche sur les techniques et technologies du cinéma)fr
dcterms.languagefrafr
oaire.citationTitleArrêt sur image, fragmentation du temps : aux sources de la culture visuelle moderne = Stop motion, fragmentation of time : exploring the roots of modern visual culture
oaire.citationStartPage31
oaire.citationEndPage46


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show item record

This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.