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dc.contributor.authorEberle Sinatra, Michael
dc.date.accessioned2016-04-14T20:13:17Z
dc.date.available2016-04-14T20:13:17Z
dc.date.issued2009
dc.identifier.urihttp://hdl.handle.net/1866/13565
dc.publisherCambridge Scholars Publishingfr
dc.subject19th centuryfr
dc.subjectEnglandfr
dc.subjectEnglish literaturefr
dc.subjectItalyfr
dc.subjectLeigh Huntfr
dc.subjectTheatrefr
dc.subjectHunt, Leighfr
dc.subjectXIXe sièclefr
dc.subjectAngleterrefr
dc.subjectLittérature anglaisefr
dc.subjectItaliefr
dc.subjectThéâtrefr
dc.titlePerforming Leigh Hunt’s 1840 Play "A Legend of Florence"fr
dc.typeChapitre de livre / Book chapterfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département des littératures de langue françaisefr
dc.contributor.affiliationUniversité de Montréal. Chaire de recherche du Canada sur les écritures numériquesfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dc.contributor.affiliationUniversité de Montréal. Canada Research Chair on Digital Textualitiesen
dcterms.abstractLeigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, intellectual, and political climate of Italy — reflects, as Michael Eberle-Sinatra demonstrates in the final essay of the first section, not only a literary exchange between England and Italy, but argues that during the creation of his play, Hunt engaged in his own version of border crossing as he managed the transition between writing about and writing for the stage. A complex maneuver that required Hunt to rech beyond his own intellectual boundaries, the shift from critic to dramatist challenged and enriched his thoughts regarding the work of the theater.fr
dcterms.isPartOfurn:ISBN:9781443809375
dcterms.languageengfr
oaire.citationTitleTransnational England : home and abroad, 1780-1860
oaire.citationStartPage92
oaire.citationEndPage110


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