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dc.contributor.authorEberle Sinatra, Michael
dc.date.accessioned2016-04-14T15:12:15Z
dc.date.available2016-04-14T15:12:15Z
dc.date.issued2005
dc.identifier.urihttp://hdl.handle.net/1866/13519
dc.subjectÉrotisme et pornographiefr
dc.subjectHomosexualityfr
dc.subjectEroticism and pornographyfr
dc.subjectAdaptationfr
dc.subjectThéâtrefr
dc.subjectTheatrefr
dc.subjectShelley, Percy Bysshefr
dc.subjectGothicfr
dc.subjectGothiquefr
dc.subjectFrankensteinfr
dc.subjectHomosexualitéfr
dc.titleReadings of homosexuality in Mary Shelley's "Frankenstein" and four film adaptationsfr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dc.contributor.affiliationUniversité de Montréal. Chaire de recherche du Canada sur les écritures numériquesfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département des littératures de langue françaisefr
dc.contributor.affiliationUniversité de Montréal. Canada Research Chair on Digital Textualitiesen
dcterms.abstractThis essay proposes to read one more time the issue of homosexuality in Mary Shelley's first novel, "Frankenstein". In order to offer a new angle on the homosexual component of Victor Frankenstein's relationship with his creature when next teaching this most canonical Romantic novel, this essay considers Shelley's work alongside four film adaptations : James Whale's 1931 "Frankenstein", Whale's 1935 "The bride of Frankenstein", Richard O'Brien's 1975 "The rocky horror picture show", and Kenneth Branagh's 1994 "Mary Shelley's Frankenstein". [...]fr
dcterms.isPartOfurn:ISSN:1362-7937
dcterms.languageengfr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript
oaire.citationTitleGothic studies
oaire.citationVolume7
oaire.citationIssue2
oaire.citationStartPage185
oaire.citationEndPage202


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