• From Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini" 

    Eberle Sinatra, Michael (2001)
    1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had praised so highly in the pages ...
  • Gender, Authorship and Male Domination : Mary Shelley’s Limited Freedom in "Frankenstein" and "The Last Man" 

    Eberle Sinatra, Michael (Palgrave Macmillan, 2000)
    Ever since Ellen Moer's "Literary Women" (1976), "Frankenstein" has been recognized as a novel in which issues about authorship are intimately bound up with those of gender. The work has frequently been related to the circumstance of Shelley's combining ...
  • Performing Leigh Hunt’s 1840 Play "A Legend of Florence" 

    Eberle Sinatra, Michael (Cambridge Scholars Publishing, 2009)
    Leigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, intellectual, and political climate of Italy — reflects, as Michael Eberle-Sinatra demonstrates in the final essay of the first section, not only a literary ...
  • Representing Leigh Hunt’s Autobiography 

    Eberle Sinatra, Michael (Palgrave Macmillan, 2016)
    That study attempted to elaborate the problematic of [Leigh Hunt's] position within the London literary and political scene between the years 1805 and1828, the contributions he made to British literature and journalism, and his public standing at the ...
  • Totally Clueless : Heckerling and Queer Sexuality in Austen’s « Emma » 

    Eberle Sinatra, Michael (Cambria Press, 2011)
    This chapter offers a new reading of the sexual politics that are at play in Jane Austen's 1816 "Emma" through the exploration of film director Amy Heckerling's retelling of Austen's original story. Heckerling's 1995 film, "Clueless", can be understood ...