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dc.contributor.authorRibouillault, Denis
dc.date.accessioned2016-01-22T16:56:16Z
dc.date.available2016-01-22T16:56:16Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/1866/12911
dc.identifier.urihttp://www.jhna.org/index.php/vol-8-1-2016/328-denis-ribouillault-2
dc.titleRegurgitating Nature: On a Celebrated Anecdote by Karel van Mander about Pieter Bruegel the Elderfr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiquesfr
dc.identifier.doi10.5092/jhna.2016.8.1.4
dcterms.abstractThe curious anecdote in Karel van Mander’s biography of Bruegel, where the artist is said to have swallowed all the mountains and rocks during his crossing of the Alps and spat them out again onto canvas and panels upon returning home, has been quoted by almost every Bruegel scholar. Yet it has never been given a full explanation. In this study, it is proposed that the passage, echoing on one level Bruegel’s frequent depiction of overindulging peasants, disguises a highly cultivated reference to the theory of imitation as a digestive process, or innutrition theory, which was widely used by humanist writers of the time to champion vernacular expression.fr
dcterms.isPartOfurn:ISSN:1949-9833
dcterms.languageengfr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript
oaire.citationTitleJournal of historians of Netherlandish art
oaire.citationVolume8
oaire.citationIssue1


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