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dc.contributor.authorBauer, Olivier
dc.date.accessioned2015-07-19T17:12:12Z
dc.date.available2015-07-19T17:12:12Z
dc.date.issued2009
dc.identifier.urihttp://id.erudit.org/iderudit/044063ar
dc.identifier.urihttp://hdl.handle.net/1866/12214
dc.subjectThéologiefr
dc.subjectProtestantismefr
dc.subjectHistoire de l'artfr
dc.subjectImagesfr
dc.subjectIconoclasmefr
dc.subjectReligionfr
dc.subjectThéologie de l'imagefr
dc.titleLes protestants sont plus idolophobes qu’iconoclastes!fr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Institut d'études religieusesfr
dcterms.abstractCet article synthétise la théologie protestante des images en montrant qu’elle vise à prévenir l’idolâtrie. Il rappelle que l’iconoclasme de la Réforme a été sélectif. Il souligne l’existence de peintres protestants, de Hans Holbein le Jeune à André Bieler. Il explique comment les principaux réformateurs ont traité la question des images. Il distingue les positions luthérienne et calviniste, notamment quant à leur interprétation du commandement biblique qui interdit les idoles. Il précise enfin à quelles conditions une image peut transmettre l’Évangile.fr
dcterms.abstractThis paper synthesizes protestant theology of pictures, showing that its aim is to prevent idolatry. It reminds that the Reform was selective in its iconoclasm. It emphasizes the existence of protestant painters, from Hans Holbein the Younger to André Bieler. It explains how Reformers dealt with the question of images. It contrasts Lutheran and Calvinist positions, especially regarding their interpretation of the second commandment, which forbids idols. It specifies under which conditions a picture is able to transmit Gospel.fr
dcterms.languagefrafr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript
oaire.citationTitleThéologiques
oaire.citationVolume17
oaire.citationIssue2
oaire.citationStartPage69
oaire.citationEndPage83


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