Browsing Faculté des arts et des sciences – Département d'histoire de l'art et d'études cinématographiques - Travaux et publications by Author "Oever, Annie van den"
Now showing items 1-4 of 4
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"Bolex Artists" : Bolex cameras, Amateurism, and New York avant-garde film
Turquier, Barbara (Amsterdam University Press, 2016)Designed by Jacques Bogopolsky in 1928, the Bolex camera was first commercialized by the Swiss firm Paillard-Bolex in 1935. The model shown here is an H16, the firm’s emblematic 16mm model, from 1952. The camera measures 8.5 x 5.9 x 2.3 inches (21.6 ... -
Contextualizing the apparatus : film in the turn-of-the-century Sears, Roebuck & Co.’s Consumers guide
Uricchio, William (Amsterdam University Press, 2016)The Sears, Roebuck & CO. 1898 Consumers Guide Published by America and Canada’s largest mail order company, the 10.8 x 8.5 inches (27.4 x 21.6 cm), 1120-page catalog was filled with illustrations, descriptions, and testimonials regarding every ... -
Digital cinema or what happens to the dispositif?
Kessler, Frank; Lenk, Sabine (Amsterdam University Press, 2016)The digital cinema package : Created in 2005 by the Digital Cinema Initiatives—a group of Hollywood majors that formed a joint venture in 2002,—the Digital Cinema Package (DCP) is a wrapper containing images, sound, subtitles, and metadata. Six ... -
The illusion of movement, the illusion of color : the Kinemacolor projector, archaeology and epistemology
Turquety, Benoît (Amsterdam University Press, 2016)The Kinemacolor projector : Produced between 1910 and 1914 by Natural Color Kinematograph Co., Kinemacolor projectors used panchromatized black-and-white 35mm film. The Kinemacolor projector in the Will Day collection at the Cinémathèque Française is ...