Adorno : jazz, industrie culturelle et idéologie
dc.contributor.advisor | Macdonald, Iain | |
dc.contributor.author | Tremblay, Benoît | |
dc.date.accessioned | 2014-06-04T15:24:42Z | |
dc.date.available | NO_RESTRICTION | fr |
dc.date.available | 2014-06-04T15:24:42Z | |
dc.date.issued | 2014-03-03 | |
dc.date.submitted | 2013-07 | |
dc.identifier.uri | http://hdl.handle.net/1866/10711 | |
dc.subject | Idéologie | fr |
dc.subject | Mimésis | fr |
dc.subject | Jazz | fr |
dc.subject | Adorno | fr |
dc.subject | industrie culturelle | fr |
dc.subject | autonomie | fr |
dc.subject | théorie esthétique | fr |
dc.subject | ideology | fr |
dc.subject | cultural industry | fr |
dc.subject | autonomy | fr |
dc.subject | esthetic theory | fr |
dc.subject | Aufklärung | fr |
dc.subject.other | Philosophy / Philosophie (UMI : 0422) | fr |
dc.title | Adorno : jazz, industrie culturelle et idéologie | fr |
dc.type | Thèse ou mémoire / Thesis or Dissertation | |
etd.degree.discipline | Philosophie | fr |
etd.degree.grantor | Université de Montréal | fr |
etd.degree.level | Maîtrise / Master's | fr |
etd.degree.name | M.A. | fr |
dcterms.abstract | La critique adornienne du jazz fait parfois l’objet de débats. Ces derniers ont généralement pour objet la nature dite élitiste de ses propos. Cette position critique par rapport au jazz et à la culture de masse, qu’Adorno nomme Kulturindustrie, ainsi que sa théorie esthétique semblent être à l’origine de cette accusation d’élitisme. Ce mémoire a pour objet de mettre en lumière le fondement de cette critique d’élitisme qui s’avère être une incompréhension du rôle que joue sa critique du jazz pour sa philosophie. Il est impératif d’analyser la critique adornienne du jazz en lien avec la dialectique de la raison ainsi que sa théorie esthétique afin d’en saisir la nature exacte. Une analyse de la dialectique de la raison ainsi que les concepts de l’idéologie, de mimésis, d’autonomie et de Kulturindustrie révèle le non fondement de la critique faite à l’égard des propos d’Adorno à l’endroit du jazz. | fr |
dcterms.abstract | Adorno’s critique of jazz music is subject of a debate regarding his elitism or lack thereof. More often than not, Adorno is considered to be elitist on account of his aesthetic theory and his critical position on jazz and mass culture which he refers to as Kulturindustrie. This memoir posits that the allegations of elitism directed towards Adorno are the result of a misunderstanding of Adorno’s overall philosophy and the role which his critique of jazz music plays within this whole. The fact of the matter is that Adorno’s critique of jazz can best be analyzed by a philosophical approach that includes an analysis of his dialectic of reason as well as his concept of ideology which Adorno links to his concept of Aufklärung. Furthermore, an analysis of the concept of autonomy and its importance for his critique of jazz and the Kulturindustrie as well as his aesthetic theory is essential to this end. Such an analysis leads to the conclusion that the accusation of elitism is inadmissible. | fr |
dcterms.language | fra | fr |
Files in this item
This item appears in the following Collection(s)
This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.