Show item record

dc.contributor.advisorWhite, Bob W.fr
dc.contributor.advisorTuite, Kevin J.fr
dc.contributor.authorEl-Ghadban, Yarafr
dc.date.accessioned2012-03-07T01:20:21Z
dc.date.available2012-03-07T01:20:21Z
dc.date.issued2009-04-16fr
dc.date.submitted2008fr
dc.identifier.urihttp://hdl.handle.net/1866/6430
dc.subjectMusiquefr
dc.subjectMusicfr
dc.subjectIdentitéfr
dc.subjectidentityfr
dc.subjectPostcolonialitéfr
dc.subjectPostcolonialityfr
dc.subjectPostmodernitéfr
dc.subjectPostmodernityfr
dc.subjectRituelsfr
dc.subjectRitualfr
dc.subjectAffiliationfr
dc.subjectAffiliationfr
dc.subjectAgencéitéfr
dc.subjectAgencyfr
dc.subjectAutoritéfr
dc.subjectAuthorshipfr
dc.subjectQuébecfr
dc.subjectQuebecfr
dc.subjectAmsterdamfr
dc.subjectAmsterdamfr
dc.titleErrance, appartenance, reconnaissance dans la musique savante occidentalefr
dc.typeThèse ou mémoire / Thesis or Dissertationfr
etd.degree.disciplineAnthropologiefr
etd.degree.grantorUniversité de Montréalfr
etd.degree.levelDoctorat / Doctoralfr
etd.degree.namePh. D.fr
dcterms.descriptionThèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal.fr
dcterms.languagefrafr


Files in this item

Thumbnail
File

This item appears in the following Collection(s)

Show item record

This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.