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dc.contributor.authorNardone, Michael
dc.date.accessioned2020-07-30T14:50:25Z
dc.date.availableMONTHS_WITHHELD:8fr
dc.date.available2020-07-30T14:50:25Z
dc.date.issued2020-01-01
dc.identifier.urihttp://hdl.handle.net/1866/23868
dc.titleAmid the voices, of course. Their beautiful noise : on the aural poetics of Erín Moure, Kaie Kellough, and Nicole Raziya Fongfr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dcterms.isPartOfurn:ISSN:1404-5095fr
dcterms.languageengfr
UdeM.ReferenceFournieParDeposantMichael Nardone. “Amid the voices, of course. Their beautiful noise: On the Aural Poetics of Erín Moure, Kaie Kellough, and Nicole Raziya Fong.” OEI 86-87: 31-34.fr
UdeM.VersionRioxxVersion publiée / Version of Recordfr
oaire.citationTitleOEIfr
oaire.citationIssue86/87fr
oaire.citationStartPage31fr
oaire.citationEndPage34fr


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This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.