Metafore colorate : l’attrazione del colore nel cinema delle origine
dc.contributor.author | Gunning, Tom | |
dc.date.accessioned | 2018-11-20T13:57:43Z | |
dc.date.available | NO_RESTRICTION | fr |
dc.date.available | 2018-11-20T13:57:43Z | |
dc.date.issued | 1994 | |
dc.identifier.uri | http://hdl.handle.net/1866/21085 | |
dc.publisher | Clueb | fr |
dc.title | Metafore colorate : l’attrazione del colore nel cinema delle origine | fr |
dc.type | Article | fr |
dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiques | fr |
dc.contributor.affiliation | Technès (International Research Partnership on Cinema Technology) | en |
dc.contributor.affiliation | Technès (Partenariat international de recherche sur les techniques et technologies du cinéma) | fr |
dcterms.isPartOf | urn:ISSN:1123-9026 | fr |
dcterms.language | ita | fr |
UdeM.ReferenceFournieParDeposant | Gunning, Tom. 1994. « Metafore colorate : l’attrazione del colore nel cinema delle origine ». Fotogenia. Stoirie e teorie del cinema, no 1 : p. 25‑38. | fr |
UdeM.VersionRioxx | Version publiée / Version of Record | fr |
oaire.citationTitle | Fotogenia | |
oaire.citationIssue | 1 | |
oaire.citationStartPage | 25 | |
oaire.citationEndPage | 38 |
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