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dc.contributorAlbera, François
dc.contributorBraun, Marta
dc.contributorGaudreault, André
dc.contributor.authorGunning, Tom
dc.date.accessioned2018-01-30T23:22:12Z
dc.date.available2018-01-30T23:22:12Z
dc.date.issued2002
dc.identifier.urihttp://hdl.handle.net/1866/19793
dc.publisherPayotfr
dc.titleBodies in Motion : The Pas de Deux of the Ideal and the Material at the Fin-de-Sièclefr
dc.typeChapitre de livre / Book chapterfr
dc.contributor.affiliationTechnès (International Research Partnership on Cinema Technology)en
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiquesfr
dc.contributor.affiliationTechnès (Partenariat international de recherche sur les techniques et technologies du cinéma)fr
dcterms.languageengfr
oaire.citationTitleArrêt sur image, fragmentation du temps  : aux sources de la culture visuelle moderne = Stop motion, fragmentation of time : exploring the roots of modern visual culture
oaire.citationStartPage17
oaire.citationEndPage30


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