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dc.contributorAlbera, François
dc.contributorBraun, Marta
dc.contributorGaudreault, André
dc.contributor.authorGaudreault, André
dc.contributor.authorLamotte, Jean-Marc
dc.date.accessioned2018-01-30T23:16:42Z
dc.date.available2018-01-30T23:16:42Z
dc.date.issued2002
dc.identifier.urihttp://hdl.handle.net/1866/19792
dc.publisherPayotfr
dc.titleFragmentation et segmentation dans les “vues animées” : le corpus Lumièrefr
dc.typeChapitre de livre / Book chapterfr
dc.contributor.affiliationTechnès (International Research Partnership on Cinema Technology)en
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiquesfr
dc.contributor.affiliationTechnès (Partenariat international de recherche sur les techniques et technologies du cinéma)fr
dcterms.languagefrafr
oaire.citationTitleArrêt sur image, fragmentation du temps  : aux sources de la culture visuelle moderne = Stop motion, fragmentation of time : exploring the roots of modern visual culture
oaire.citationStartPage225
oaire.citationEndPage245


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