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Now showing items 11-20 of 106
The 1900 episteme
(Amsterdam University Press, 2010)
A slippery topic : colour as metaphor, intention or attraction?
(Nederlands Filmmuseum, 1996)
La prise de vues est-elle une fonction artistique ?
(Presses universitaires de Rennes, 2007)
Contextualizing the apparatus : film in the turn-of-the-century Sears, Roebuck & Co.’s Consumers guide
(Amsterdam University Press, 2016)
The Sears, Roebuck & CO. 1898 Consumers Guide
Published by America and Canada’s largest mail order company, the 10.8 x 8.5 inches
(27.4 x 21.6 cm), 1120-page catalog was filled with illustrations, descriptions, ...
The illusion of movement, the illusion of color : the Kinemacolor projector, archaeology and epistemology
(Amsterdam University Press, 2016)
The Kinemacolor projector : Produced between 1910 and 1914 by Natural Color Kinematograph Co., Kinemacolor
projectors used panchromatized black-and-white 35mm film. The Kinemacolor projector in the Will Day collection at ...
General introduction media archaeology : Foucault’s legacy
(Amsterdam University Press, 2016)
Variations autour de quelques événements chez Roman Signer
(Métis Presses, 2013)
Introduction to an epistemology of viewing and listening dispositives
(Amsterdam University Press, 2010)