Recherche
Voici les éléments 1-10 de 95
"Bolex Artists" : Bolex cameras, Amateurism, and New York avant-garde film
(Amsterdam University Press, 2016)
Designed by Jacques Bogopolsky in 1928, the Bolex camera was first commercialized
by the Swiss firm Paillard-Bolex in 1935. The model shown here is an H16, the firm’s
emblematic 16mm model, from 1952. The camera measures ...
Digital cinema or what happens to the dispositif?
(Amsterdam University Press, 2016)
The digital cinema package :
Created in 2005 by the Digital Cinema Initiatives—a group of Hollywood majors
that formed a joint venture in 2002,—the Digital Cinema Package (DCP) is a wrapper
containing images, sound, ...
The impact of a Canadian financial cybercrime prevention campaign on clients’ sense of security
(Springer, 2021)
The purpose of this study was to evaluate the impact of a cybercrime prevention campaign that was run by a Canadian financial institution. More specifically, we examined how participants/clients perceived the financial ...
The use of bibliometrics for assessing research : possibilities, limitations and adverse effects
(2015)
Researchers are used to being evaluated: publications, hiring, tenure and funding decisions are all based on the evaluation of research. Traditionally, this evaluation relied on judgement of peers but, in the ...
Electronic absorption spectroscopy
(Elsevier, 2021)
Absorption spectroscopy in the ultraviolet, visible and near-infrared (UV-VIS-NIR) wavelength ranges is one of the oldest and most often used characterization methods in coordination chemistry. This overview illustrates ...
The case for an epistemography of montage : the Marey moment
(Amsterdam University Press, 2010)
Projected cinema (a hypothesis on the cinema’s imagination)
(Amsterdam University Press, 2010)
The 1900 episteme
(Amsterdam University Press, 2010)
A slippery topic : colour as metaphor, intention or attraction?
(Nederlands Filmmuseum, 1996)
Heidegger, Cohen, and the neo-Kantian reading of Kant
(Humanity Books, 2000)
Heidegger ne se livrera jamais à une critique systématique de l’interprétation de Kant par Hermann Cohen. Tout au plus se contente-t-il au passage de quelques remarques, souvent négatives, comme par exemple sur le caractère ...