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dc.contributor.authorEberle Sinatra, Michael
dc.date.accessioned2016-04-14T14:50:53Z
dc.date.available2016-04-14T14:50:53Z
dc.date.issued1998-03
dc.identifier.citationSinatra, Michael E., « Science, gender and otherness in Shelley’s Frankenstein and Kenneth Branagh’s film adaptation », European Romantic Review, vol. 9, no 2, mars 1998, p. 253‑270.fr
dc.identifier.urihttp://hdl.handle.net/1866/13515
dc.subjectÉrotisme et pornographiefr
dc.subjectShelley, Percy Bysshefr
dc.subjectFrankensteinfr
dc.subjectSciencefr
dc.subjectSexualityfr
dc.subjectSexualitéfr
dc.subjectBranagh, Kennethfr
dc.subjectEroticism and pornographyfr
dc.subjectAdaptationfr
dc.titleScience, gender and otherness in Shelley's Frankenstein and Kenneth Branagh's film adaptationfr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département des littératures de langue françaisefr
dc.contributor.affiliationUniversité de Montréal. Chaire de recherche du Canada sur les écritures numériquesfr
dc.contributor.affiliationUniversité de Montréal. Canada Research Chair on Digital Textualitiesen
dcterms.abstractQuestions of gender and genre in Frankenstein remain complex issues for contemporary critics, in the novel itself as well as in its cinematographic adaptations, from John Whale's classic 1931 version to Kenneth Branagh's 1994 "Mary Shelley's Frankenstein." Though science seems to be the unifying principle behind the main story of the novel and the films, I will argue that Shelley incorporates science and sexual orientation within her novel in a way that differs significantly from the films, and especially from Branagh's version.fr
dcterms.bibliographicCitationEuropean Romantic Review ; vol. 9, no 2
dcterms.isPartOfurn:ISSN:1050-9585
dcterms.languageengfr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript


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