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Now showing items 11-20 of 21
Shelley’s editing process in the preface to Epipsychidion
(1997)
Prefaces are often disregarded by readers who, more often than not, start without taking time to peruse them first. Sir Walter Scott knew this perfectly well, and he wrote about it, very wittily, in "A PostScript Which ...
Introduction : deviance and defiance
(2006)
The thirteenth annual meeting of the North American Society for the Study of Romanticism took place August 13–16, 2005 in Montreal, Canada, sponsored by Université de Montréal. The conference was held in conjunction with ...
Drilling for Papers in INKE
(2012-03-26)
In this article, we discuss the first year research plan for the INKE interface design team, which focuses on a prototype for chaining. Interpretable as a subclass of Unsworths scholarly primitive of discovering, chaining ...
Pratiques de l'édition numérique
(Les Presses de l'Université de Montréal, 2014)
L’apparition du numérique a entraîné ces dernières années une transformation profonde des modèles de production et de circulation des livres, qui ont peu changé depuis le XVIIIe siècle. Le web, en particulier, a provoqué ...
Histoire des humanités numériques
(Les Presses de l’Université de Montréal, 2014)
Parallèlement à l’histoire du développement d’Internet et du web, une autre histoire est fondamentale pour comprendre les enjeux de l’édition numérique : celle des humanités numériques. Il y a encore quelques décennies, ...
Performing Leigh Hunt’s 1840 Play "A Legend of Florence"
(Cambridge Scholars Publishing, 2009)
Leigh Hunt's authorship of "A legend of Florence" (1840) — a drama inspired by the rich cultural, intellectual, and political climate of Italy — reflects, as Michael Eberle-Sinatra demonstrates in the final essay of the ...
Representing Leigh Hunt’s Autobiography
(Palgrave Macmillan, 2016)
That study attempted to elaborate the problematic of [Leigh Hunt's] position within the London literary and political scene between the years 1805 and1828, the contributions he made to British literature and journalism, ...
On watching rather than reading Count Basil
(European Romantic Review, 2004)
The performance of « Count Basil » at this year's NASSR conference was a unique opportunity for those in attendance to share a theatrical experience with the actors in ways that are usually not available to readers and ...
Gender, Authorship and Male Domination : Mary Shelley’s Limited Freedom in "Frankenstein" and "The Last Man"
(Palgrave Macmillan, 2000)
Ever since Ellen Moer's "Literary Women" (1976), "Frankenstein" has been recognized as a novel in which issues about authorship are intimately bound up with those of gender. The work has frequently been related to the ...
Totally Clueless : Heckerling and Queer Sexuality in Austen’s « Emma »
(Cambria Press, 2011)
This chapter offers a new reading of the sexual politics that are at play in Jane Austen's 1816 "Emma" through the exploration of film director Amy Heckerling's retelling of Austen's original story. Heckerling's 1995 film, ...