Documenting acousmatic music interpretation : a developmental framework based on cross self-confrontations
dc.contributor.author | Boutard, Guillaume | |
dc.contributor.author | Féron, François-Xavier | |
dc.date.accessioned | 2023-01-26T19:52:19Z | |
dc.date.available | NO_RESTRICTION | fr |
dc.date.available | 2023-01-26T19:52:19Z | |
dc.date.issued | 2020-12-23 | |
dc.identifier.uri | http://hdl.handle.net/1866/27366 | |
dc.publisher | Taylor and Francis Group | fr |
dc.subject | Acousmatic music | fr |
dc.subject | Interpretation | fr |
dc.subject | Sound projection | fr |
dc.subject | Documentation framework | fr |
dc.subject | Cross self-confrontations | fr |
dc.title | Documenting acousmatic music interpretation : a developmental framework based on cross self-confrontations | fr |
dc.type | Article | fr |
dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. École de bibliothéconomie et des sciences de l'information | fr |
dc.identifier.doi | 10.1080/14794713.2020.1864712 | |
dcterms.abstract | The investigation of acousmatic music interpretation as a distinct activity from composition calls for the investigation of appropriate documentation frameworks. This paper investigates the relevance of cross self-confrontations to capture all dimensions of interpretation of acousmatic music from a dialogical and developmental perspective. This study is the second phase of the project Interpretation Spatiale des Musiques Electroacoustiques (ISME), following a theoretical investigation of acousmatic music interpretation. It is based on the automated re-enactment of several performances conducted during an acousmatic interpretation workshop and masterclass at LaBRISCRIME in 2015. The analysis presents the practical and theoretical relevance of the framework in relation to the dimensions of acousmatic interpretations conceptualized during the first phase of the project based on semi-structured interviews. | fr |
dcterms.isPartOf | urn:ISSN:1479-4713 | fr |
dcterms.isPartOf | urn:ISSN:2040-0934 | fr |
dcterms.language | eng | fr |
UdeM.ReferenceFournieParDeposant | https://doi.org/10.1080/14794713.2020.1864712 | fr |
UdeM.VersionRioxx | Version acceptée / Accepted Manuscript | fr |
oaire.citationTitle | International journal of performance arts and digital media | fr |
oaire.citationVolume | 17 | fr |
oaire.citationIssue | 3 | fr |
oaire.citationStartPage | 336 | fr |
oaire.citationEndPage | 355 | fr |
Files in this item
This item appears in the following Collection(s)
This document disseminated on Papyrus is the exclusive property of the copyright holders and is protected by the Copyright Act (R.S.C. 1985, c. C-42). It may be used for fair dealing and non-commercial purposes, for private study or research, criticism and review as provided by law. For any other use, written authorization from the copyright holders is required.