The Work Print
| dc.contributor | Cherchi Usai, Paolo | |
| dc.contributor | Francis, David | |
| dc.contributor | Horwarth, Alexander | |
| dc.contributor | Loebenstein, Michael | |
| dc.contributor.author | Cherchi Usai, Paolo | |
| dc.contributor.author | Francis, David | |
| dc.contributor.author | Horwarth, Alexander | |
| dc.contributor.author | Loebenstein, Michael | |
| dc.date.accessioned | 2018-01-29T22:02:50Z | |
| dc.date.available | 2018-01-29T22:02:50Z | |
| dc.date.issued | 2008 | |
| dc.identifier.uri | http://hdl.handle.net/1866/19780 | |
| dc.publisher | Österreichisches Filmmuseum | fr |
| dc.title | The Work Print | fr |
| dc.type | Chapitre de livre / Book chapter | fr |
| dc.contributor.affiliation | TECHNÈS (International Research Partnership on Cinema Technology) | en |
| dc.contributor.affiliation | Université de Montréal. Faculté des arts et des sciences. Département d'histoire de l'art et d'études cinématographiques | fr |
| dc.contributor.affiliation | TECHNÈS (Partenariat international de recherche sur les techniques et technologies du cinéma) | fr |
| dcterms.language | eng | fr |
| oaire.citationTitle | Film curatorship : archives, museums, and the digital marketplace | |
| oaire.citationStartPage | 5 | |
| oaire.citationEndPage | 7 |
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