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dc.contributor.authorEberle Sinatra, Michael
dc.date.accessioned2016-11-02T16:19:55Z
dc.date.available2016-11-02T16:19:55Z
dc.date.issued2004
dc.identifier.urihttp://www.tandfonline.com/doi/full/10.1080/1050958042000215486
dc.identifier.urihttp://hdl.handle.net/1866/16069
dc.publisherEuropean Romantic Reviewfr
dc.subjectCount Basilfr
dc.subjectTheatrefr
dc.subjectRomantic dramafr
dc.subjectPerformancefr
dc.subjectTheaterfr
dc.subjectThéâtrefr
dc.subjectThéâtre romantiquefr
dc.subjectBaillie, Joannafr
dc.titleOn watching rather than reading Count Basilfr
dc.typeArticlefr
dc.contributor.affiliationUniversité de Montréal. Chaire de recherche du Canada sur les écritures numériquesfr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département de littératures et de langues du mondefr
dc.contributor.affiliationUniversité de Montréal. Faculté des arts et des sciences. Département des littératures de langue françaisefr
dc.contributor.affiliationUniversité de Montréal. Canada Research Chair on Digital Textualitiesen
dcterms.abstractThe performance of « Count Basil » at this year's NASSR conference was a unique opportunity for those in attendance to share a theatrical experience with the actors in ways that are usually not available to readers and scholars of Romantic drama. In this brief reaction piece, I want to focus on two aspects of this experience: the interaction between the actors and the audience, and the discussion of the modern-day green room after the performance.fr
dcterms.descriptionCompte rendu de la présentation de la pièce « Count Basil » de Joanna Baillie montée par la compagnie Horizon Theatre lors du Congrès 2004 de la North American society for the study of romanticism (NASSR).fr
dcterms.isPartOfurn:ISSN:1050-9585
dcterms.languageengfr
UdeM.VersionRioxxVersion acceptée / Accepted Manuscript
oaire.citationTitleEuropean romantic review
oaire.citationVolume15
oaire.citationIssue2
oaire.citationStartPage351
oaire.citationEndPage385


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